Jo Hummel’s work is characterised by a painted and paper collaged surface on which she employs spontaneous variations of space, colour and form. When considered briefly her work appears to be a purely physically-engaged and materially driven, however this is but a fraction of the story. The context is purposefully anthropological and Hummel’s works are informed by human habits and behaviour, with a particular interest in determinism and freewill just as much as formal concerns. The nature of collage is that throughout its creation a work is in constant flux. The artist must negotiate the canvas by rearranging, choosing and adjusting, often over long periods and having explored hundreds, even thousands of the infinite possible outcomes. In this way the creative process itself is as significant as the final outcome.